By Barbara Martin Stephens
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This entire scholarly variation of the gathering of manuscript choreographies from c. 1565-c. 1675 linked to the resorts of courtroom is the 1st full-length examine of those resources to be released. It deals sensible reconstructions of the dances and gives a range of musical settings easily yet idiomatically prepared for four-part instrumental ensemble or keyboard.
This quantity explores the way composers, performers, and critics formed person and collective identities in tune from Europe and the us from the 1860s to the Fifties. chosen essays and articles have interaction with works and their reception through Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William furnish nonetheless, and Aaron Copland, and with performers equivalent to Wanda Landowska or even Marilyn Monroe.
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